Madison VanDenburg Permeates the COVID-Quiet Halls of the Bearsville Theater

Originally written for Nippertown.

The pandemic has brought many challenges for many-a-musician, but some artists have found ways to connect with and perform to audiences from afar. In a COVID world, living rooms and bedrooms and even bathrooms become concert halls. And occasionally, there’s an empty concert venue all gussied up for a live stream show. Such is the most recent performance by our own Idol alumni and pop music poster child Madison VanDenburg, who took up residence in the historic Bearsville Theater in Woodstock on Sunday (01.10.2021) night for a livestream concert. 

With an itch for live music that hasn’t been satiated since last March, I was more than happy to attend at Madison’s request as one of only two people who weren’t venue staff (or Madison’s team.) To wander the halls of an empty venue is spooky. The absence of an audience was certainly felt, and it wasn’t just the performance space itself that made my skin prickle. It was the echoing crunch of gravel under your feet in the sparsely occupied parking lot, the locked doors, darkened rooms, vacant lounges with empty bar shelves, and this weighty silence that wrapped around you in the half-lit hallways. 

Madison on the grand piano on stage at the Bearsville Theater
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Madison Vandenburg: America’s Next American Idol!?

Madison Vandenburg performs at Upstate Concert Hall with her guitarist Tom.

When it comes to reality TV shows, there’s no such thing as the binary. It’s never just as simple as “I watch it” or “I don’t watch it.” There are so many gradations that float in between “do” and “don’t.” There’s the guilty pleasure watchers. There’s the casual watchers, or the home-sick-in-bed watchers. You could be one of the watching religiously watchers and/or one of the live-tweeting commentating watchers. Or you could be like many and watch when a citizen of your locale becomes a focal point of the show. While I probably more closely fall into the “casual watcher” category, having turned these reality competition shows on and off for the past fifteen years or so, I know the latter category probably encompasses many citizens of New York’s Capital Region these past couple of years. I can’t even blame them with incredible talents such as Moriah Formica (The Voice, American Idol), Sawyer Fredericks (The Voice), and now most recently, the incredible Madison Vandenburg coming out of the woodwork. No, not coming out of the woodwork. Coming in like a Category 5 hurricane. Great talent isn’t such a bad thing to be known for, is it?

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Postmodern Jukebox — 2.22.19

The ensemble of Postmodern Jukebox at Troy Savings Bank Music Hall.

I think PMJ is a great band to set this blog in motion. Why’s that? PMJ , much like my spirited marriage of photography and music, is the passionate intersection of two diametrically opposing musical motifs: the old genres and the new. Scott Bradlee’s Postmodern Jukebox is where new songs, whether by Lady Gaga, Miley Cyrus or Nirvana, meet vintage arrangements in the stylings of Nat King Cole, Patsy Cline, The Chiffons, any Rat Pack member, or anything of the like. Not only are the rotating vocal talents of this ensemble of quite the caliber, but the big band backing brings as much enthusiasm and skill to the table as one could need to make these arrangements seem authentic. There are no small roles in this band.

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